BART DeLORENZO is a Los Angeles-based theater director and the founding artistic director of the Evidence Room Theater. His recent work with the company includes Sarah Ruhl’s Passion Play, Anton Chekhov’s Ivanov, Len Jenkin’s Margo Veil, and Adam Bock’s The Receptionist, produced with the Odyssey Theater. Other recent directing includes Steven Drukman’s Death of the Author, Geffen Playhouse; Sharr White’s Annapurna, The New Group (NY); Charlayne Woodard’s The Night Watcher, Studio Theatre (DC); Carla Ching’s Fast Company, South Coast Repertory; Donald Margulies’ Coney Island Christmas, Geffen Playhouse; Shakespeare’s Cymbeline, A Noise Within; Justin Tanner’s Day Drinkers, Odyssey, and Voice Lessons, Zephyr; Karen Zacarias’ Legacy of Light and Mark Brown’s Around the World in 80 Days at the Cleveland Play House; King Lear, Antaeus Company; Roberto Aguirre-Sacasa’s Doctor Cerberus, the world premiere of Donald Margulies’ Shipwrecked! An Entertainment, and Sarah Ruhl’s Dead Man’s Cell Phone at SCR; Michael Sargent’s The Projectionist, Kirk Douglas Theatre; Charles Mee’s bobrauschenbergameric, Inside the Ford; Caryl Churchill’s A Number, Odyssey; and Center Theatre Group’s kick-off premiere event of Suzan-Lori Parks’ 365 Days/365 Plays all over the Music Center plaza and on the steps of Disney Hall. For his work, he has received six LA Weekly awards, three Backstage Garlands, four LA Drama Critics Circle Awards including the Milton Katselas Award for career achievement, and he is the 2012 recipient of TCG’s Alan Schneider Director Award. He is a graduate of Yale University and the American Repertory Theater Institute at Harvard.